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Monochrome Interlace Cameras |
KP-M1AN
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• 570 TV Lines of Resolution • Field or Frame Operation
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• 570 TV Lines of Resolution
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• 570 TV Lines of Resolution • Field or Frame Operation
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• 570 TV Lines of Resolution
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• 570 TV Lines of Resolution
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• Ultra Compact Cube Size Camera • 570 TV Lines of Resolution • Internal / External Sync |
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• 570 TV Lines of Resolution
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• 570 TV Lines of Resolution
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• 570 TV Lines of Resolution
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• Ultra Compact Cube Size Camera • 570 TV Lines of Resolution • Internal / External Sync |
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• 570 TV Lines of Resolution
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• 1/2''Format Super High Sensitivity Camera • 0.00003 lux With Full Motion • 0.0000005 lux In Still Mode |
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Single CCD Color Cameras |
KP-D20A
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• 1/3" Format Ultra Compact CCD Camera • 470 TV Lines of Resolution • ATW, AES, and BLC modes. • Composite and Y/C outputs |
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• 1/2" Format Ultra Compact CCD Camera • 470 TV Lines of Resolution • ATW, AES, and BLC modes. • Composite and Y/C outputs |
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• VGA Progressive Scan Color Camera with NTSC Interlace Output • 1/2” Format CCD with Primary RGB filter • RGB, Y/C, and Composite Outputs |
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• High Sensitivity ½” Format Color Camera • Light levels from 0.02 to 100,000 lux • Auto-Change Integration Mode |
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• High Sensitivity 1/2” Format Color Camera • Light levels from 0.001 to 100,000 lux • Composite and Y/C outputs |
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• High Sensitivity1/2” Format Color Camera • Light levels from 0.01 to 100,000 lux |
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• 1/2'' Format Super High Sensitivity Camera • 0.0009 ux With Full Motion • 0.000015 lux in Still Mode |
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Three CCD Color Cameras |
HV-D20P
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• 1/2" 3 CCD Remote Head Color Camera • 800 TV Lines of Resolution • Composite, Y/C, RGB, and Y/R-Y/B-Y Out • 6 Vector Color Correction |
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• 1/2" 3 CCD Remote Head Color Camera • 800 TV Lines of Resolution • Composite, Y/C, RGB, and Y/R-Y/B-Y Out • 6 Vector Color Correction |
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• 800 TV Lines Resolution • Composite, Y/C, RGB, and Y/R-Y/B-Y Out • ALC, AES, ATW, and ASC Modes • 6 Vector Color Correction
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• 1/3" 3 CCD Remote Head Color Camera • 750 TV Lines of Resolution • Composite, Y/C, RGB, and Y/R-Y/B-Y Out • 6 Vector Color Correction |
Native 1080i, 720P, and 480i outputs
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• 3 1/3” Format 1.3 Megapixel CMOS Imagers • HD-SDI or SDI and Analog Component Outputs • Selectable Shutter and ALC Mode • Adjustable Sharpness and Knee Levels • 6 Vector Color Corrector • DynaChroma and High Chroma Modes
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High Sensitivity Cameras |
KP-E500 NEW!
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• 1/2''Format Super High Sensitivity Camera • 0.00003 lux With Full Motion • 0.0000005 lux In Still Mode |
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• 1/2'' Format Super High Sensitivity Camera • 0.0009 ux With Full Motion • 0.000015 lux in Still Mode |
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• High Sensitivity ½” Format Color Camera • Light levels from 0.02 to 100,000 lux • Auto-Change Integration Mode |
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• High Sensitivity 1/2” Format Color Camera • Light levels from 0.001 to 100,000 lux • Composite and Y/C outputs |
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• High Sensitivity1/2” Format Color Camera • Light levels from 0.01 to 100,000 lux |
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OEM Board Cameras |
BE-101B
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• 1/2'' CCD Monochrome Board Camera • 510 TV Lines of Resolution |
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• 1/3'' CCD Monochrome Board Camera • 380 TV Lines of Resolution |
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• 1/2'' Near Infrared Monochrome Board Camera • 570 TV Lines of Resolution |
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• 1/2'' Near Infrared Monochrome Board Camera • 570 TV Lines of Resolution |
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• 1/3'' Near Infrared Monochrome Board Camera • 570 TV Lines of Resolution |
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• 1/3'' Near Infrared Monochrome Board Camera • 570 TV Lines of Resolution |
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